{"id":611,"date":"2021-11-16T19:45:16","date_gmt":"2021-11-16T19:45:16","guid":{"rendered":"https:\/\/lindaokeeffe.com\/blog\/?p=611"},"modified":"2021-11-16T19:45:16","modified_gmt":"2021-11-16T19:45:16","slug":"hybrid-soundscapes-project-2015-2019","status":"publish","type":"post","link":"https:\/\/lindaokeeffe.com\/blog\/hybrid-soundscapes-project-2015-2019\/","title":{"rendered":"Hybrid Soundscapes Project 2015 – 2019"},"content":{"rendered":"

In 2015 myself and the composer Tony Doyle began a journey through different soundscapes to explore the impact of renewable energy technologies on rural and natural environments. This included travelling to a variety of areas, working with local artists and communities, developing new methodologies and producing, albums, exhibitions, concerts and published papers in the process. What follows below is aspects of that research and the outputs as a series of captured blogs and links to outputs.<\/p>\n

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Icelandic Recording trip 2015<\/strong><\/p>\n

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Contact mic recording<\/p><\/div>\n

Travelling to Iceland with Christ Watson to record the Icelandic soundscape in the summer cycle, 24 hours of daylight. Some amazing sounds and scenery. Some interference from planes, tour boats and tourists. Visited a hydroelectric dam, emerged feeling perturbations from the very loud underground vibrations of the plant, recorded the sounds underwater in the river.<\/p>\n

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Hydroelectric power plant<\/p><\/div>\n